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| Soprano Anne Cambier
practices the three major disciplines of song, opera and oratorio
and has already built up an impressive and varied career. Anne Cambier chose to train in singing at the Royal Music Conservatory of Ghent (Belgium) with Zeger Vandersteene and Paule Daloze. She further developed her abilities with Noëlle Barker at the Guildhall School of Music and Drama in London where, in 1992, she was awarded her Post-Diploma in Vocal Training and her Certificate in Techniques of Teaching. At the same time she followed master classes with Suzanne Danco, Hugues Quenod, Thomas Hampson, Geoffrey Parsons, Thomas Hemsley, Graham Johnson, Paul Hamburger and others. During her stay in England, she already performed a number of roles with various British opera companies and in the same period participated in creative productions by Les Arts Florissants, conducted by William Christie. In these early days she acquired the skill to relate closely and intuitively to both large and small audiences. Back in Belgium, her career flourished thanks to the Queen Elisabeth Competition in 1996. She was invited to perform with most of the Belgian orchestras and worked with conductors such as C. Hogwood, A. Pappano, R. Goebel, G. Llewellyn, P. Ellis, P. Goodwin, P. Peire, P. Dombrecht, G. Octors and D. Brossé. In 1997 Anne Cambier made her debut at the National Opera in Brussels. This brought high critical acclaim and, as a result, the offer of a variety of roles by La Monnaie: Parsifal (director: A. Pappano), Orfeo (Trisha Brown/R. Jacobs) with performances at Aix-en-Provence, London, Paris and New-York, Le Nozze di Figaro (A. Pappano), La Rappresentazione di Anima e di Corpo with La Fenice conducted by Jean Tubéry. For the Flemish Opera she twice played the role of Rowan in Let's make an Opera by B. Britten and she sang Karolka (Jenufa / Janácek) directed by Robert Carsen, an opera revived in Japan with Seiji Ozawa as conductor. With the Flemish Chamber Opera Company "Transparant" she sang songs by Samuel Barber, performed the title role of Mozart's Zaïde (performances at the Festivals of Edinburgh and Covent Garden with The Academy of Ancient Music) and achieved a huge success in the challenging role of Seleuce in Haendel's Tolomeo (L. Hume/ P. Dombrecht). In 2002-2003 she sang the role of Elisa in Mozart's Il Re Pastore (Belgium/Holland), while last season, she played Papagena in Mozart's Magic Flute at the Ruhr-Triennale with Marc Minkowski as conductor. Her acclaimed recitals are staged with Belgian pianists such as Jan Vermeulen, Jozef De Beenhouwer, Levente Kende and Jean-Claude Vanden Eynden. Anne Cambier performs regularly with Baroque orchestras such as La Petite Bande, Il Fondamento, The Academy of Ancient Music, Musica Antiqua Köln, Les Agrémens and more recently with "I Justiniani", the Baroque ensemble she founded in 2002. Their first CD "Songs by Henry Purcell", released in 2002, was very well received both by the critics and the public. This season, Anne Cambier will be back as Karolka in Janácek's Jenufa in the opera houses of Antwerp and Ghent. Furthermore, she has been invited to appear as "special guest" at the Flanders Festival in Courtrai. |
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| Anne Cambier is represented by Music
and Productions worldwide Official link: Anne Cambier |
